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This is a thesis, so it should be very well written it can be philosophical.
Look up as many photographers as possible that fit in this subject, Claude Cahun is a verry interesting one.
Sujet: Selflove as an intimate language in photography
Question: problem 1: THE “SELF” IS INSIDE, BUT PHOTOGRAPHY CAN ONLY CAPTURE THE OUTSIDE
PROBLEM 2: WE ARE NOT NEUTRAL WHEN SEEING OURSELVES, HOW CAN WE SEE THE TRUE SELF
-The intro should be 2-3pages
-3 Parts each 4 to 5 pages
– conclusion 1 -2 pages
“Self-love as an intimate language in photography” and the specific problems i’ve outlined, several photographers besides Claude Cahun have explored the themes of self-perception, identity, and the inner self through their work. These artists use various techniques to bridge the gap between the inner self and its external representation in photography.
Photographers Exploring Self-love and Self-perception:
Cindy Sherman:
Work: Cindy Sherman is renowned for her conceptual portraits, where she transforms herself into various characters. Her work challenges the viewer to question identity, representation, and the nature of the self.
Relevance: Sherman’s ability to become different personas reflects on the multifaceted nature of identity, addressing both the external appearance and the internal self through the artifice of disguise.
Francesca Woodman:
Work: Woodman’s haunting black-and-white photographs often depict herself in blurred or partially hidden poses. Her work is deeply introspective and explores themes of self-identity, femininity, and the ephemeral nature of the self.
Relevance: Woodman’s use of blurriness and obscured forms in her self-portraits captures the elusive nature of the self, suggesting that the true self can never be fully grasped or seen.
Nan Goldin:
Work: Known for her raw and intimate snapshots of her life and friends, Goldin’s work in “The Ballad of Sexual Dependency” chronicles her own experiences and struggles.
Relevance: Goldin’s candid and unfiltered approach to photographing herself and her surroundings presents a powerful narrative of self-love, vulnerability, and the authentic self.
Vivian Maier:
Work: Maier was a street photographer whose work was discovered posthumously. Her self-portraits often show her reflection in mirrors or windows, blending her with her urban environment.
Relevance: Maier’s reflective self-portraits explore the concept of the self as both an observer and participant in life, highlighting the duality of internal and external experiences.
Zanele Muholi:
Work: Muholi is a South African visual activist and photographer who documents the lives of black LGBTQ+ individuals. Their self-portraits challenge perceptions of race, gender, and sexuality.
Relevance: Muholi’s work is a powerful assertion of self-love and identity, using photography to confront and transcend societal norms and biases.
Addressing the Problems:
Problem 1: The “self” is inside, but photography can only capture the outside
Solution: Photographers like Francesca Woodman and Cindy Sherman use techniques such as blurriness, reflections, and role-playing to suggest that the self is more than just the external appearance. They use visual metaphors to convey inner emotions and states of being.
Problem 2: We are not neutral when seeing ourselves, how can we see the true self?
Solution: Photographers like Nan Goldin and Zanele Muholi embrace their biases and subjectivity, presenting raw and personal depictions that challenge the notion of a single “true self.” By documenting their lives and experiences authentically, they suggest that the true self is multifaceted and ever-changing.
These photographers provide a rich framework for exploring how self-love can be depicted through intimate and reflective photography, addressing the inherent challenges of capturing the true self.
If possible everytime you have something pleas send it to me and thry to find a third problematic.
Pleas also put in the pictures you are refering to.
But they sont count in the pages.
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